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Prompts

The finished post. And the exact prompt that made it.

No sample prompts. Each video comes with the full prompt it was rendered from, plus the prompts for the stills that went in as references. Open, copy, try it.

01·October 2026

Templars guard Paris

Five Knights Templar in great helms keep watch over Paris during the October riots. One prompt, 30 seconds, seven beats in a single multishot generation. The punchline is an espresso you cannot drink through a helmet.

Seedance 2.530 s4:33 stills
Video promptSeedance 2.5 · 30 s · 4:3 · multishot, one generation
HARD RULES: The same knight from @Image1 is the hero in every shot: a Knight Templar in a battered flat-topped steel great helm with a narrow eye slit and cross-shaped breathing holes that never comes off, chainmail coif and hauberk, a long white surcoat with a large red Templar cross, a torn mud-caked white cloak, a white heater shield with a red cross and a longsword. Four more Templars dressed exactly the same form his squad. The world, light and grade match @Image2: Paris during the October 2026 riots, Haussmann facades, smashed shop windows, ripped metal shutters, burning barricades of pallets and bins, smoking piles of charred shared e-bikes, drifting grey tear gas, riot police vans with blue lights far in the background. Everyone stays completely serious, nobody laughs, nobody looks at the camera. No dialogue, no music, only natural SFX. Clean frame, no timestamp, no date stamp, no on-screen text, no recording UI, no readable logos.

LOOK: handheld war-documentary camera, wide 24mm lens, deep focus, slight HDR, natural micro-shake, fine film grain, quick digital punch-in zooms on the gags. Overcast late afternoon, flat grey sky, hot orange fire glow, blue police lights on wet asphalt. Desaturated grey-brown grade with hot orange fire accents, lifted soft blacks, highlights never clipped. 100% photorealistic live action, no CGI look, no morphing.

0:00-0:03 Wide handheld shot through tear gas on Place de la Republique: five Templars in great helms and white surcoats march in a tight shield wall across the square past a smoking pile of charred e-bikes, swords drawn, cloaks dragging through the debris. Quick punch-in on the hero's helm.
0:03-0:07 Two masked looters in black hoodies swing golf clubs at the half-torn metal shutter of a boulangerie. The hero steps in, blocks a golf club with his shield, and with one flat swat of his sword sends both looters running off empty-handed.
0:07-0:11 The Templars stand in a shield wall in front of the boulangerie. Through the broken shutter the baker in a flour-dusted apron hands the hero a warm croissant. He tucks it into his chainmail and gives one slow nod.
0:11-0:15 A looter sprints down the boulevard hugging five designer handbags and a whole rack of sunglasses. A Templar chases him on a shared electric scooter, cloak flapping, hits a curb and crashes straight into an overturned cafe terrace, chairs flying.
0:15-0:17 Hard cut: a riot police water cannon blasts the hero full on. He does not move an inch, water pouring off his helm and surcoat, then calmly shakes the water off his sword.
0:17-0:21 A young classical orchestra keeps playing violins and cellos on the square while tear gas drifts over them. The Templars kneel in front of the musicians with shields raised, bottles and rocks bouncing off the shields.
0:21-0:30 A cafe terrace where a stylish Parisian couple calmly drinks red wine and smokes while a car burns behind them. The hero sits down at the next table and lays his longsword across it, the waiter sets down a tiny espresso. The hero raises the cup to his great helm, it clinks against the steel eye slit, he freezes and stares at the cup. Slow punch-in on the helm. Hold.

SFX: crackling fire, distant sirens, stun grenade thuds, tear gas canister hiss, marching boots and clinking chainmail, metal shutter rattle, golf club clang on shield, sword swat, scooter whine and crash, chairs clattering, water cannon roar, violins and cellos playing on, bottles bouncing off shields, cafe murmur, espresso cup clink on steel.

Stills fed into the video as references

Step 1: the Templar character sheet. A faceless helm holds identity better than any face.

Step 1: the Templar character sheet. A faceless helm holds identity better than any face.

Image promptNano Banana Pro · 2K
Character reference sheet of one Knight Templar, four panels side by side, the exact same knight in every panel: 1) full body front view, 2) full body three-quarter view, 3) full body back view, 4) tight close-up of the helm. He stands on a wet Paris cobblestone street with softly out-of-focus Haussmann facades and drifting grey smoke behind him, the same backdrop in every panel. The knight: a battered flat-topped steel great helm with a narrow horizontal eye slit and a cross-shaped pattern of breathing holes, dented and soot-stained; a full chainmail coif and long chainmail hauberk with mail mittens; a long white linen surcoat to the knees with a large red Templar cross on the chest, belted with a brown leather sword belt; a heavy white wool cloak with a red cross on the left shoulder, hem torn and caked with mud; a medieval longsword in a scabbard at his hip; a white heater shield with a red cross, scratched and chipped; leather boots. Tall, broad, heavy, imposing silhouette, completely still and serious. Gritty war-documentary realism: overcast flat light, desaturated grey-brown grade, fine film grain, lifted soft blacks, real steel, real linen and wool texture, mud and soot, 100% photorealistic, no CGI look, no plastic. No text, no labels, no numbers, no logos.
The hero Templar on the street. The sheet from step 1 went in as the reference.@Image1

The hero Templar on the street. The sheet from step 1 went in as the reference.

Image promptNano Banana Pro · 2K
The exact same knight from the reference image, same flat-topped battered steel great helm with the narrow eye slit and cross-shaped breathing holes, same chainmail coif and hauberk, same long white surcoat with the large red Templar cross, same torn mud-caked white cloak, same white heater shield with a red cross, same longsword. A single frame, not a sheet. Medium-wide shot, knees up: the Knight Templar stands guard in front of a Paris boulangerie whose metal shutter has been half ripped open, shield raised slightly, sword drawn and lowered, completely still and serious, helm turned slightly off to the side, not looking at the camera. Around him on the boulevard during the October 2026 riots: Haussmann facades, smashed shop windows, a burned-out green newspaper kiosk, a smoking pile of charred shared e-bikes, a burning barricade of pallets and bins, drifting grey tear gas, blue police lights far in the background. Handheld documentary camera look: wide 24mm lens, deep focus, slight HDR, natural micro-shake, fine film grain. Overcast late afternoon, flat grey sky, hot orange fire glow raking from the side, wet asphalt reflections. Desaturated grey-brown grade with hot orange fire accents, lifted soft blacks, highlights never clipped. 100% photorealistic, real steel, linen and wool texture, no CGI look. Clean frame, no timestamp, no date stamp, no on-screen text, no recording UI, no readable logos.
Location, light and grade: Place de la République.@Image2

Location, light and grade: Place de la République.

Image promptNano Banana Pro · 2K
Wide handheld shot at street level on Place de la Republique in Paris, the evening after the October 2026 riots. The Marianne monument in the middle, its stone base covered in fresh spray-paint graffiti and protest banners. In the foreground a smoking pile of charred, twisted shared e-bikes and e-scooters. A burned-out green newspaper kiosk, smashed shop windows with metal shutters ripped open, broken glass and debris across the pavement, overturned cafe chairs, a burning barricade of pallets and bins. Thick drifting grey tear gas, a line of riot police vans far in the background with blue lights, a water cannon truck. Haussmann facades lining the square. A cafe terrace on the right still open with a few people calmly drinking wine amid the smoke. Handheld documentary camera look: wide 24mm lens, deep focus, slight HDR, natural micro-shake, fine film grain. Overcast late afternoon turning to dusk, flat grey sky, hot orange fire glow, blue police lights reflecting on wet asphalt. Desaturated grey-brown grade with hot orange fire accents, lifted soft blacks, highlights never clipped. 100% photorealistic, no CGI look. Clean frame, no timestamp, no date stamp, no on-screen text, no recording UI, no readable brand logos.
02·October 2026

How Charles Bridge was really built

Emperor Charles IV in black sunglasses runs a tower crane, tastes the egg mortar and sets the last stone from a helicopter. One prompt, 30 seconds, eight beats in a single multishot generation.

Seedance 2.530 s4:32 stills
Video promptSeedance 2.5 · 30 s · 4:3 · multishot, one generation
HARD RULES: The same man from @Image1 is the hero in every shot: Emperor Charles IV of Bohemia, same face, same beard, gold Gothic crown, mud-stained crimson mantle with ermine collar, black sunglasses that never come off. The world, light and grade match @Image2: muddy 14th-century Prague building site on the Vltava, half-built stone bridge, Gothic Prague Castle in scaffolding, modern construction gear mixed with medieval timber. Everyone stays completely serious, nobody laughs, nobody looks at the camera. No dialogue, no music, only natural SFX. Clean frame, no timestamp, no date stamp, no on-screen text, no recording UI, no logos.

LOOK: handheld smartphone-camera look, wide 24mm lens, deep focus, slight HDR, natural micro-shake, quick digital punch-in zooms on the gags. Late afternoon golden hour, low warm sun raking through smoke and dust, long shadows, warm earthy low-saturation grade, lifted soft blacks. Gritty, dirty, mud everywhere. 100% photorealistic live action, real skin, no CGI look, no morphing.

0:00-0:03 Wide handheld shot from the muddy riverbank: medieval masons strain to roll a huge sandstone block on wooden logs toward the half-built bridge. Behind them a modern yellow tower crane swings its boom over the wooden scaffolding. Quick punch-in zoom to the crane cab high above.
0:03-0:06 Inside the crane cab: Charles IV works the joystick with total focus, a sandstone block swings past the dusty window, the Gothic castle behind.
0:06-0:10 Next to a mud-caked modern concrete mixer truck, masons crack hundreds of eggs from wicker baskets into the spinning drum. Charles IV steps in, dips one finger into the mortar, tastes it, and gives one slow approving nod. Punch-in on his face.
0:10-0:14 A huge humanoid clay golem carries a sandstone block alone through the mud while masons sit on stones drinking beer from clay tankards. Charles IV walks in, points sternly back to work, then turns and stalks away irritated, mantle swinging.
0:14-0:18 A muddy medieval market square in the Old Town: Charles IV glides on a modern electric kick scooter between stalls of cabbages and gingerbread. A goose runs across his path, he swerves and crashes straight into the cabbage stall, cabbages rolling into the mud.
0:18-0:20 Hard cut: Charles IV calmly drives an old red tractor across the stone bridge, sunglasses on, as if nothing happened.
0:20-0:23 Drone rising over a wide field below the castle: hundreds of peasants in linen shirts stand in perfect rows performing synchronized mass gymnastics, arms rising together, Charles IV in front blowing a whistle like a strict instructor.
0:23-0:27 Charles IV pilots a modern military helicopter, a huge sandstone block hanging beneath it on steel cables, rotor wash blasting dust and smoke across the bridge site. The block sets down on top of the Gothic bridge tower, the cables release, the helicopter peels away.
0:27-0:30 Hard cut: the finished Charles Bridge in the same golden light, suddenly packed shoulder to shoulder with modern tourists holding selfie sticks and chimney cakes. Slow punch-in to the helicopter hovering above: inside, Charles IV slowly takes off his sunglasses and stares. Hold.

SFX: mud squelch, ropes creaking, crane hydraulics and beeping, eggs cracking, mixer drum rumble, clay footsteps, tankards clinking, scooter whine, goose honking, crash of cabbages, tractor engine, whistle, rotor thunder, crowd murmur and camera shutters at the end.

Stills fed into the video as references

Face and costume modelled on the Charles IV bust in the St. Vitus Cathedral triforium.@Image1

Face and costume modelled on the Charles IV bust in the St. Vitus Cathedral triforium.

Image promptNano Banana Pro · 2K
Medium close-up portrait, chest up, of Emperor Charles IV of Bohemia standing on a muddy medieval construction site on the Vltava riverbank in Prague, 1357, modelled closely on his 14th-century Parler workshop bust in the St. Vitus Cathedral triforium: a long narrow face, high cheekbones, a distinctly hooked aquiline nose, shoulder-length wavy brown hair, a full brown beard with grey strands trimmed to a soft point, a moustache, age about 40, weathered sunburned skin with pores and fine lines. He wears a gold Gothic lily crown with red and blue cabochon stones, a crimson wool mantle with a thick ermine collar, a dark burgundy tunic, a gold belt, specks of mud on the mantle. Modern black sunglasses with slim frames. Completely serious, looking off to the side at the work, not at the camera. Behind him, soft and slightly out of focus: wooden scaffolding, smoke from a lime kiln, masons in linen shirts, the river. Handheld smartphone-camera look: wide 24mm lens, deep focus, slight HDR, mild digital sharpening. Late afternoon golden hour, low warm sun raking from the left, warm amber haze, dust in the air. Lifted soft blacks, highlights never clipped, warm earthy low-saturation grade. 100% photorealistic, real skin texture, no CGI look, no plastic skin. Clean frame, no timestamp, no date stamp, no on-screen text, no recording UI, no logos.
World and grade: the half-built bridge on the Vltava in 1357.@Image2

World and grade: the half-built bridge on the Vltava in 1357.

Image promptNano Banana Pro · 2K
Wide establishing shot from the muddy Old Town riverbank of the Vltava in Prague, 1357. The Charles Bridge has just begun: only two rough sandstone arches stand in the river near the far bank, the rest of the crossing is rows of wooden piles, timber falsework and rope-lashed wooden scaffolding, wooden treadwheel cranes, rafts of timber on the water. Across the river on the hill: a Gothic Prague Castle with the St. Vitus Cathedral choir unfinished and wrapped in wooden scaffolding, a medieval wooden crane on its roof. Below it only Gothic stone towers, timber houses and wooden roofs. No Baroque buildings, no domes, no statues on the bridge, no modern bridges, no metal scaffolding. Among all the medieval timber stands one single modern yellow tower crane, dirty and weathered. Foreground: a dug-up mud road with deep ruts and puddles, piles of sandstone blocks, an ox cart stuck in the mud, masons in dirty linen shirts and hoods hauling stone, thick smoke drifting from lime kilns and fires, dust hanging in the air. Handheld smartphone-camera look: wide 24mm lens, deep focus, slight HDR, mild digital sharpening. Late afternoon golden hour, low warm sun raking from the left through the smoke, long shadows, warm amber haze. Gritty and dirty, lifted soft blacks, highlights never clipped, warm earthy low-saturation grade. 100% photorealistic, no CGI look. Clean frame, no timestamp, no date stamp, no on-screen text, no recording UI, no logos.